New I, Frankenstein Poster Released

A few months ago I wrote an article about a rather decent start to the I, Frankenstein marketing campaign. Sadly, it seems that any enthusiasm for the movie seems to have evaporated in recent weeks and the they've churned out this very average poster (see right).

If we base our enthusiasm for this movie on this one-sheet, well... we wouldn't have any. It's not only generic, it quite effectively unravels all of their early good work on this marketing campaign.

Poster Analysis: How I Live Now

How I Live Now was released in the UK on October 4th and this poster (see right) has been doing the rounds for several weeks (at least) prior to that. The film is adapted from the best-selling novel by Meg Rosoff and stars the extremely talented Saoirse Ronan who plays Daisy.

I've mostly seen this image plastered on buses in the Wandsworth area, which I'm sure is purely coincidental and not a slant against us South London folk. More importantly, after the nth time of seeing this poster, I still have virtually no idea what the film is about!

Man of Steel - The $660 Million box-office disappointment?

The hype surrounding Warner Bros' Superman reboot Man of Steel was immense and the expectation can only be described as stratospheric. This was supposed to be the Superman movie that we have all been waiting for... but how many times have you heard that before?

In fairness, this was easily the best Superman adaptation i've seen (yes, I have seen them all!) and definitely my favourite. However, that's like saying that Batman Begins was better than Batman & Robin, it's a no-brainer!

After the disaster that was Superman Returns, it was vital for Man of Steel to knock us for six (so to speak). However, as the hype escalated beyond all control, so too did the box-office expectations with the latter eventually leading to its supposed commercial disappointment.

The following is a brief analysis of Man of Steel's box-office performance on Box-Office Mojo:

Elysium: Proof that concept marketing doesn't work

On Thursday 9th May, I wrote a reaction commentary to an intriguing article found in Variety. The original piece explored the notion that studios are favouring a more concept-driven marketing approach for major summer tent-poles as opposed to campaigns driven primarily by star-power and narrative.

"The idea is to sell a film initially based on a concept", says Par domestic marketing and distrib prexy Megan Colligan.

The article focused on blockbuster hopefuls such as World War Z, The Lone Ranger and Elysium (see right). It claimed that setting an "iconic" tone was the most important aspect of selling these movies.

I disagreed with this notion at the time of the article's publishing but opted to reserve overall judgement until sufficient box-office numbers were available.

Elysium  is the last of this year's summer tent-poles to implement this marketing strategy. It was released in the US on 9th August and is due for release in the UK on 21st August 2013.

Interestingly, the film's marketing campaign has completely transformed in recent months, there is now less focus on concept and more on star power and narrative. Aside from it being a drastic tactical change, it does suggest that recent box-office disappointments have exposed the flaws within the concept marketing strategy.

Luckily for Sony, the film's distributor, there was still time to adapt and refine their campaign, which would allow them an opportunity to exploit the film's assets and hopefully avoid becoming an expensive box-office casualty, like Disney's The Lone Ranger.

This article will seek to explore these flaws and the subsequent risks that accompany such an ambitious yet inconsistent style of movie marketing.

Event Summary: Sunrise 2013 Online Film Festival Awards Ceremony

On 18th July 2013, M.P.C. Marketing Consultancy and The London Horror Society attended the 5th annual Sunrise 2013 Online Film Festival Awards Ceremony. The event was run by Ditto, and took place at their Lighthouse studio in London in association with Norwich University of the Arts.

Ditto's Lighthouse studio is extremely well hidden within the thriving Angel area of London, but once found we quickly realised that the search was well worth it.

Pacific Rim: Big-Budget Action Movie or Emotional Romantic Drama?

A recent article from Variety has raised some interesting points regarding the ever evolving marketing strategy for Pacific Rim.

The piece, written by David S. Cohen, explores Legendary Pictures and Warner Bros. hope that the big-budget sci-fi movie will become a global blockbuster and subsequently, one of the biggest films of the year.

Commentary: A Reaction to the shift in Tentpole Movie Marketing in Hollywood

Last week, Variety published a brief article about the state of film marketing in Hollywood. The fascinating piece explored the thought-provoking notion that concept is now bigger than star-power, which indicates a major shift in the necessity of A-List stars fronting big-budget blockbusters.

"The idea is to sell a film initially based on a concept", says Par domestic marketing and distrib prexy Megan Colligan.

Main theatrical poster for Oblivion

Ten years ago it would have been unfathomable for Tom Cruise not to feature in almost the entire marketing campaign for his latest blockbuster; however, times have changed.

Coming off the back of his biggest success to-date (Mission: Impossible Ghost Protocol), Cruise's next major release was Oblivion, a big budget sci-fi film from the director of Tron:Legacy. There was immense pressure on Cruise to deliver another major hit and reassert his dominance as an unrivalled global box-office star. However, this was somewhat contradicted by his presence within the marketing campaign being strangely understated.